A participatory photo series shot on one market morning at Kontraktova square: eight Podil residents received a reloaded film camera and the instruction to « photograph what makes you proud here, even if small ». Nadia then digitised and composed the twelve selected views into an A4 polyptych — flowered windows, a child hugging a cat, repainted « Slava Ukraini » graffiti, a baker's hands dusting flour.

The light is November without direct sun: pearl grey, wet reflections on cobblestones, faithful colours without filters. Each image bears a handwritten note by its author in the corner — « my repaired stairwell », « the kiosk reopening », « the church bell » — tiny proofs of civic resilience.

Second layer: Nadia added borders drawn in blue ballpoint, recalling school albums. The set refuses miserabilism: it documents the quiet pride of a quarter that carries on, organises, feeds. Against Stones sees here a collective portrait of Podil — not monumental, but tenacious, like foundation stone beneath autumn rain mud.